Guitarist Sean Moran, in particular, is a curious player who stands out even within such a curious group (The Four Bags). His electric playing seems to be informed largely by post-rock atmospherics (think delay, trem picking, all the rest) and classic film soundtracks (a little noir here, a little Morricone there) – it’s a daring fit within the accordion/clarinet/trombone/guitar schematic. At one point, the group segued from a classic French waltz into one of Moran’s own compositions, which featured a hilariously chug-y metallic breakdown fit for any number of contemporary hardcore groups to ransack.
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